Photographing the Full Moon: iPhone 15 Plus vs. the Corralejo Night Sky

L to R: Main Camera 21:09, AstroShader 21:11, MoonTake 21:13,

BlackSight 21:26, NightCam 21:30, Lumina 21:37

Yamera 21:38, Fjorden 21:39, Pro Camera 21:40

There's something magical about a full moon, especially when it hangs low over a dramatic landscape. Last month, the Pink Moon offered just such a spectacle, rising over the unique contours of the Corralejo Dunes here in Fuerteventura. Armed with my iPhone 15 Plus, a tripod, and a healthy dose of ambition, I set out to capture it. (Please note, my photos were severely lacking and too amateur. This is just an experiment for using apps on an iphone to capture the moon.)

The Initial Hurdle: The Non-Pro Phone

Right away, I knew I was facing an uphill battle. My iPhone 15 Plus is a fantastic phone, but it's not the "Pro" model. This primarily means less direct access to the manual camera controls that are crucial for tricky lighting situations like night photography. The native iPhone camera app, while brilliant for everyday snaps, tends to struggle when trying to balance an incredibly bright subject (the moon) against a very dark foreground (the dunes at night). Getting both in focus and properly exposed automatically? Nearly impossible. It usually results in either a blown-out white blob where the moon should be, or a completely black landscape.

Focus was the immediate and persistent enemy. Tapping to focus on the distant moon often left the dunes blurry, and focusing on the nearer dunes turned the moon into that dreaded bright smudge. Manual control was clearly needed.

Gear Up: My Makeshift Setup

Knowing stability was key, I brought a tripod. However, attaching the phone securely needed some improvisation. I actually unscrewed the head from my regular tripod and replaced it with the phone clamp from a motorbike phone holder I had. It worked surprisingly well and even had a small spirit level on it, helping me keep things straight!

The App Store Deep Dive: A Quest for Control (on a Budget)

Since the native app wasn't cutting it, I embarked on a digital quest, downloading a host of third-party camera apps renowned for offering more manual control or specific night modes. Crucially, I was sticking to free options or the free tiers of paid apps. Here’s the rundown of my experience:

1. Native Camera: As mentioned, great for point-and-shoot, but inadequate for this specific challenge due to lack of accessible manual controls and focusing difficulties.

2. AstroShader: This one took a different approach, automating much of the process. It did a good job, essentially asking you only to handle the focus. While the results were decent, the process felt a little clunky, and I prefer having more direct control.

3. Moontake: Gave this one a try, part of the initial wave of apps I downloaded. This app was genuinely amazing... for just the moon. It delivered crisp shots of the lunar surface. However, its singular focus meant I couldn't incorporate the beautiful dune landscape I was aiming for. A great tool, but not for this particular vision.

4. Blacksight: I really liked Blacksight. It seemed to handle the low light well and offered good control. I managed to get some promising shots lined up... until I reviewed them. The free version places a watermark directly over the center of the image, rendering it unusable for my purposes. A real shame, as the underlying tech felt capable.

5. Nightcam: Simple and easy to use. It even had a dedicated "Moon Mode." While convenient, the lack of a RAW option was a limitation for serious editing later.

6. Lumina: This turned out to be a pleasant surprise. It offered basic, clear manual controls (ISO, shutter speed, focus) and, importantly, allowed saving in RAW format. Of all the apps I tried, Lumina felt the easiest to quickly jump into and adjust everything manually without intrusive prompts or limitations on the core function.

7. Yamera: I found Yamera interesting for its ability to manipulate imagery in the dark. It seemed geared towards adjusting things after the fact or in challenging low light, which was useful, but didn't fully solve the initial capture problem.

8. Fjorden: Visually, this was the most beautiful and elegantly designed app of the bunch. I'd read reviews suggesting it was free to use, but it seems that's changed. It now offers a 30-day free trial, after which it apparently becomes limited unless you purchase their physical camera grip accessory. A bit disappointing, as the interface was lovely.

9. Pro Camera: This app looked promising! It boasted loads of options: slow shutter, burst, time-lapse, RAW capture, bracketing, even fisheye and AI settings. The catch? The free version was almost unusable due to constant pop-ups asking me to subscribe (€14.99 one-time or €9.99/year). Every adjustment triggered the prompt, making the experience incredibly frustrating.

The Lingering Struggle: Focus, Focus, Focus

Even with apps offering manual controls, achieving sharp focus on both the moon and the dunes remained the biggest challenge. The tiny screen, the distance differences, and the low light conspired against me. Peaking assistants in some apps helped, but it was a constant battle of trial and error.

The Verdict: Learning More Than Capturing

Did I get the award-winning, perfectly crisp shot of the Pink Moon hanging majestically over sharply defined dunes? Honestly, no. The limitations of the non-Pro phone sensor, the inherent difficulty of the shot, and the compromises of free apps meant the results were more 'attempt' than 'triumph'.

However, the experience was far from a failure. I learned a ton about the capabilities and limitations of my iPhone 15 Plus for night photography. I discovered the frustrating realities of free app tiers (watermarks, paywalls) and the different philosophies behind camera app design – from the fully automated (AstroShader) to the elegantly manual (Lumina) and the feature-rich but restricted (Classic Pro Camera).

Lumina emerged as my favourite free tool for manual control and RAW capture in this scenario. Blacksight showed promise but was torpedoed by the watermark. Moonshot proved excellent for its specific niche (moon only).

While I didn't capture the exact image I envisioned, the process of trying – experimenting with apps, wrestling with focus, and enjoying the quiet beauty of the dunes under the Pink Moon – was its own reward. And maybe, just maybe, it's time to start saving for that Pro model... or at least invest in the full version of an app that truly delivers.

Have you tried capturing the moon with your phone? What apps or techniques have worked for you? Share your experiences in the comments below!

Shooting Stars Alert: Don’t Miss the Lyrid Meteor Shower!

Catch the Ancient Lyrid Meteor Shower Over Fuerteventura!

As mid-April skies darken over Fuerteventura, one of history's most storied meteor showers returns: the Lyrids! Mark your calendars – peaking soon, this annual celestial event offers a chance to witness shooting stars under potentially fantastic viewing conditions available across the island. Here’s what you need to know to catch the show.

What Are the Lyrids & Why Are They Special?

The Lyrid meteor shower happens each April as Earth plows through the dusty trail left by Comet C/1861 G1 (Thatcher). When these tiny particles slam into our atmosphere at high speed (around 110,000 mph / 49 km/s), they vaporize brilliantly as meteors.

Key highlights make the Lyrids stand out:

• An Ancient Legacy: They are the oldest documented meteor shower still observed, with Chinese astronomers recording them nearly 2,700 years ago in 687 BC! Watching connects us across millennia.

• Potential for Surprises: While typically modest (10-20 meteors/hour peak), the Lyrids occasionally unleash dramatic 'outbursts' with over 100 per hour, as seen in 1982.

• Bright Meteors & Fireballs: They often produce bright meteors, frequently leaving persistent trails, and can sometimes produce exceptionally bright fireballs.

• Radiant Point: The meteors appear to originate from near the bright star Vega in the constellation Lyra (hence 'Lyrids'), which rises in the northeast later in the evening.

Echoes Through Time: Myths and Legends

This long and visible history means the Lyrids have naturally woven themselves into human culture and sky lore:

• In Greek mythology, the shower appears to stream from near the constellation Lyra. This celestial lyre represents the magical instrument of Orpheus, the legendary musician said to possess the power to charm gods, humans, animals, and even inanimate objects with his music. He famously journeyed to the underworld attempting to retrieve his love, Eurydice. Witnessing stars fall from near his lyre could evoke powerful themes of music, love, loss, fate, and the profound connection between the heavens and earthly emotions.

• For ancient Chinese astronomers, who provided the earliest written records ('stars falling like rain'), keen observation of the skies was paramount for both calendrical and astrological purposes. While specific tales focused solely on the Lyrids are varied, meteors ( or falling stars) were often interpreted as significant omens or celestial messages. Depending on context and other celestial events, they might be seen as 'sky dragons' heralding vital rain for crops, or perhaps portents of important terrestrial events like battles or shifts in power.

When and Where to Watch in Fuerteventura (2025)

• Activity Window: Generally active from about April 16 to April 25, 2025.

• Peak Viewing: The best time to watch is during the predicted peak on the night of April 22-23, 2025. Aim for the hours between midnight and dawn, once the radiant (Lyra) is higher in the sky and the sky is darkest.

• Moon Advantage: Fortunately, the Moon phase is ideal for the 2025 peak! A very thin waxing crescent moon will set early in the evening, leaving beautifully dark skies across Fuerteventura for meteor watching.

Viewing Tips for Fuerteventura:

• Seek Darkness: Find the darkest possible location away from the lights of towns like Corralejo, Puerto del Rosario, Morro Jable, or other bright areas. Fuerteventura offers many beaches, inland plains, and viewpoints with reduced light pollution – essential for seeing fainter meteors.

• Adapt Your Eyes: Give your eyes at least 15-20 minutes to fully adjust to the darkness. Resist looking at your bright phone screen – use red light mode briefly only if absolutely necessary.

• Look Up & Be Patient: Lie back comfortably (a reclining chair or blanket helps) and gaze generally overhead or towards the northeast (where Lyra rises later). While the meteors radiate from Lyra, they can appear anywhere across the vast expanse of the sky. Patience is crucial – plan for at least an hour of observation.

• Check the Weather: Hope for clear skies! Check the local Fuerteventura forecast closer to the peak nights.

The Harp in the Heavens: Connecting to Constellation Lyra

The name "Lyrid" itself is steeped in mythology. Meteor showers are named after the constellation from which they appear to radiate, and in this case, it's Lyra, the Harp.

In Greek mythology, Lyra is associated with the legendary musician Orpheus. Gifted a lyre by the god Apollo, Orpheus' music was said to be so beautiful it could charm even inanimate objects. One prominent myth tells of Orpheus' journey to the underworld to retrieve his deceased love, Eurydice, his music softening the hearts of Hades and Persephone. Though he tragically lost her again, his lyre was eventually placed in the heavens as the constellation Lyra, a testament to his musical talent and enduring love.

Therefore, when you witness the Lyrid meteors streaking across the sky, imagine them as celestial tears or perhaps even the lingering notes of Orpheus' mythical harp, forever echoing in the cosmos. Some depictions of the constellation even show an eagle carrying the lyre, adding another layer to the visual narrative in the night sky.

Beyond specific myths, "falling stars" held diverse cultural meanings. Some beliefs linked them to the passage of souls on celestial journeys. More widespread is the hopeful tradition, born from their fleeting beauty, of making a wish upon seeing one – a practice still cherished today.

Final Thought: A Cosmic Reminder

Meteor showers like the Lyrids remind us that Earth is constantly moving through space, sweeping up ancient comet dust. Each shooting star is a fleeting spark from the depths of the solar system—don’t miss your chance to wish upon one!

The Magic of Meteors: Shooting Stars, Fireballs, and Cosmic Debris

Have you ever gazed at the inky expanse of a clear night sky and witnessed a fleeting streak of light, a "shooting star" gracefully slicing through the darkness? It's a magical moment, a reminder of the vast universe surrounding us. But what exactly are these celestial sparklers, and when's the best time to catch them? Meteors—those breathtaking "shooting stars"—are among the most accessible and awe-inspiring astronomical phenomena. Let's explore what they are, their origins, and why they illuminate the night.

Why Do Some Meteors Glow Different Colors?

As a meteoroid plunges into Earth's atmosphere at incredible speeds, friction with the air molecules generates intense heat. This heat causes the meteoroid to vaporize, and the atoms within it become excited. When these excited atoms return to their normal energy state, they emit light at specific wavelengths, which we perceive as different colors. Think of it like a cosmic fireworks display! The colour depends on two things:

1. Chemical Composition

When a meteoroid burns up, its minerals ionize the air, creating different hues:

Yellow/Orange - Sodium

Yellow: Can also be sodium, but sometimes iron.

Green - Magnesium, Nickel

Blue - Ionized Calcium

Red - Atmospheric Nitrogen & Oxygen

2. Speed & Temperature

• Faster meteors (like those from the Perseid shower) burn hotter and often appear white or blue.

• Slower meteors (like the Leonids) may glow red or orange.

What Is a Meteor?

A meteor, often called a shooting star or falling star, is the flash of light we see when a small piece of space debris (a meteoroid) burns up as it enters Earth's atmosphere due to friction.

• Meteoroid: A tiny rock or dust particle floating in space (usually from comets or asteroids).

• Meteor: The bright streak of light produced as the meteoroid vaporizes.

• Meteorite: If a meteoroid survives its fiery descent and hits the ground, it earns this name.

Most meteors are caused by particles no larger than a grain of sand, yet they create dazzling displays as they disintegrate at speeds of 30,000 to 160,000 mph!

Earth’s Rotation & Orbit: Imagine Earth as a car driving through rain—the windshield (the side facing forward) catches more raindrops than the rear window.

• Before Midnight: You’re on Earth’s "trailing" side, so only fast-moving meteors can catch up.

• After Midnight: You’re on the "leading" side, plowing directly into space debris, resulting in more frequent and brighter meteors.

Fireballs & Bolides: When Meteors Put on a Show

While most shooting stars are caused by tiny dust grains, a more spectacular event occurs when a larger meteoroid, typically pebble-sized or bigger, slams into our atmosphere. The increased mass and speed generate significantly more energy, resulting in an ultra-bright fireball.Occasionally, a larger meteoroid (pebble-sized or bigger) enters the atmosphere, creating an ultra-bright fireball.

• Fireball: A meteor brighter than Venus (can even cast shadows!).

• Bolide: A fireball that explodes (sometimes with a sonic boom).

Busting the Myth: Shooting Stars Aren't Dying Stars

Shooting stars have nothing to do with actual stars. Stars are enormous, light-years away. What we see is a tiny particle, often no bigger than a grain of dust (called a meteoroid), burning up in our atmosphere due to friction.

• Stars (like our Sun) are massive, distant balls of plasma.

• Meteors are tiny space rocks burning up in our atmosphere—some as small as a grain of dust!

So, the next time you make a wish upon a shooting star, remember that you're wishing on a tiny speck of cosmic dust making its dramatic, albeit brief, entrance into our world.

PHOTO: Simon Waldram @fuerteshoot

Meteorites: When Space Rocks Reach Earth

Few meteoroids survive their plunge to Earth, but those that do become meteorites. There are three main types:

1. Stony (Chondrites) – Most common, made of silicate minerals.

2. Iron – Dense, metallic, often from asteroid cores.

3. Stony-Iron – A rare mix of both.

10 of the most famous meteorites in history, known for scientific importance, size, or dramatic falls:

Murchison Meteorite (Life’s Building Blocks)

Location: Victoria, Australia
Weight: ~100 kg
Fall: 1969
Type: CM2 Carbonaceous Chondrite
Key Discovery: Contains 70+ amino acids (some not found on Earth).

Sikhote-Alin Meteorite (Largest Iron Meteor Shower)

Location: Siberia, Russia
Weight: ~23 tons (scattered fragments)
Fall: Feb 12, 1947
Type: Iron (IIAB)
Impact: Created 122 craters (largest is 26m wide).

Canyon Diablo (Meteor Crater’s Origin)

Location: Arizona, USA
Weight: ~30 tons (fragments)
Impact: ~50,000 years ago
Type: Iron (IAB)
Legacy: Formed Barringer Crater (1.2 km wide).

Fukang Meteorite (Most Beautiful Pallasite)

Location: Xinjiang, China
Weight: ~1,003 kg
Found: 2000
Type: Pallasite (olivine crystals in iron-nickel)
Appearance: Looks like stained glass when sliced.

Nakhla Meteorite (The "Mars Meteorite")

Location: Egypt
Weight: ~10 kg
Fall: 1911 (hit a dog—allegedly!)
Type: Martian (Shergottite)
Importance: Proved Mars has water (contains hydrated minerals).

Hoba Meteorite (Largest Intact Meteorite)

Location: Namibia, Africa
Weight: ~60 tons (largest single meteorite on Earth)
Discovered: 1920
Type: Iron (84% Fe, 16% Ni)
Impact: Never moved—still in its original impact site!

Allende Meteorite (Most Studied Carbonaceous Chondrite)

Location: Chihuahua, Mexico
Weight: ~2 tons (fell as thousands of fragments)
Fall: 1969 (just before Apollo moon missions)
Type: CV3 Carbonaceous Chondrite
Importance: Contains pre-solar grains (older than the Sun!)

Chelyabinsk Meteorite (Most Dramatic Modern Impact)

Location: Chelyabinsk, Russia
Weight: ~1,400 kg (main fragment)
Fall: Feb 15, 2013 (exploded mid-air, injuring 1,500+)
Blast Force: ~30x Hiroshima nuke (non-nuclear)
Type: Ordinary Chondrite (LL5)
Famous For: Viral dashcam videos of the explosion.

Tunguska Event (Largest Meteor Airburst in History)

Location: Siberia, Russia
Estimated Size: ~50–100m wide (never found)
Event: June 30, 1908 (flattened 2,000 km² of forest)
Energy: ~10–15 megatons of TNT
Effect: Knocked people off feet 60 km away

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Meteor Showers: Nature’s Fireworks Visible from Fuerteventura

1. Quadrantids

When: Late December – Early January (Peak: Jan 3–4)
Best Time: Pre-dawn hours
Rate: 60–120 meteors/hour (but brief peak)
Parent Body: Asteroid 2003 EH1
Notes: Fast, bright meteors; often has fireballs.

2. Lyrids

When: Mid-April (Peak: Apr 21–22)
Best Time: After midnight
Rate: 10–20 meteors/hour (sometimes outbursts)
Parent Body: Comet Thatcher (C/1861 G1)
Notes: Known for occasional bright fireballs.

3. Perseids (Best for Summer Viewing!)

When: Mid-July – Late August (Peak: Aug 12–13)
Best Time: Late night to dawn
Rate: 50–100 meteors/hour
Parent Body: Comet Swift-Tuttle
Notes: Bright, fast meteors; great for warm summer nights.

4. Orionids

When: October (Peak: Oct 20–21)
Best Time: After midnight
Rate: 10–20 meteors/hour
Parent Body: Halley’s Comet
Notes: Fast meteors, often leaves persistent trains.

5. Leonids

When: Mid-November (Peak: Nov 17–18)
Best Time: Late night to dawn
Rate: 10–15 meteors/hour (but can have storms every ~33 years)
Parent Body: Comet Tempel-Tuttle
Notes: Famous for historic meteor storms (next big one ~2033).

6. Geminids (Best of the Year!)

When: Early–Mid December (Peak: Dec 13–14)
Best Time: After 10 PM
Rate: 100–150 meteors/hour
Parent Body: Asteroid 3200 Phaethon
Notes: Bright, slow meteors; one of the most reliable showers.

Meteor showers are one of nature’s most magical displays—reminding us that the universe is alive with wonder, even in our own cosmic backyard. Whether you’re a seasoned stargazer or a first-time observer, there’s nothing quite like the thrill of spotting a shooting star streak across the night sky.

Capture the Magic: Night Photography in Fuerteventura

photo courtesy of Simon Waldram Photography

Photography can be about capturing the essence of a moment, weaving a narrative, and connecting with the viewer on an emotional level. As the saying goes, 'Without the darkness we can not see the light,' just because we can´t see it, does not mean it´s not there. Night photography shows us what our eyes can´t see. By embracing the darkness, we unlock a world of hidden beauty, where the stars shine brightly and the cosmos unfolds its wonders.

One technique that constantly captivates is long exposure, with its ability to transform ordinary scenes into something ethereal and dramatic. And what better subject for this transformative technique than the night sky? A realm of endless wonder and a canvas of twinkling stars, the night sky has captivated stargazers and photographers for generations. Combining these passions allows us to not only observe the cosmos but also capture its ethereal beauty, creating a truly enriching experience. Fuerteventura can offer  a stargazer's paradise—the perfect location to merge astronomy with the magic of night photography. Here's your guide to capturing the magic of Fuerteventura's night sky.

Why Fuerteventura is Ideal for Stargazing and Night Photography (and what to consider):

Dark Skies, a Valuable Asset: Fuerteventura's commitment to minimizing light pollution as a Starlight Reserve creates the potential for outstanding stargazing and night photography.

Weather and Atmospheric Conditions: While the Canary Islands generally have favorable weather, cloud cover and calima are factors to consider. Successful stargazing and photography require careful planning, including checking weather forecasts and being flexible with your schedule to take advantage of clear nights.

Diverse Landscapes: From volcanic landscapes to pristine beaches, Fuerteventura offers diverse foregrounds to complement your night sky images.

Planning Your Stargazing and Photography Trip:

Check the Moon Phase: A new moon (when the moon is not visible) provides the darkest skies for stargazing and capturing faint celestial objects.

Weather Forecast: Look for clear skies and calm conditions. Websites like Meteoblue or AEMET (Spanish Meteorological Agency), Windy can provide detailed forecasts. Always look up and constantly check, what was true in the morning may change by the evening. 

Location Scouting: Explore potential locations during the day to identify interesting foreground elements and ensure safe access at night. Inland areas away from towns: Provide the darkest skies.

Timing: The best time for stargazing is typically a few hours after sunset, once the sky is fully dark.

Here are some tips for capturing stunning images in low-light conditions:

Fast Lens: A lens with a wide aperture (f/2.8 or wider) is crucial for gathering as much light as possible.

Sturdy Tripod: Essential for long exposures, ensuring sharp images.

Remote Shutter Release: Minimizes camera shake for crisp shots.

Extra Batteries: Cold temperatures drain batteries faster, so bring spares.

Red Light Flashlight or Headlamp: Red light preserves your night vision.

Manual Mode: Provides full control over settings.

Aperture: Use the widest aperture your lens allows for maximum light.

Shutter Speed: Start with a longer shutter speed (e.g., 10 seconds) and adjust as needed.

ISO: Keep it as low as possible to minimize noise, but increase if the image is too dark.

White Balance: Adjust according to the light source (e.g., Tungsten for city lights). 

Focus: Use manual focus and zoom in to ensure sharpness.

Night photography can be a rewarding experience for photographers of all levels. ..

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Ready to take your photography to the next level and unlock the secrets of capturing the night sky?

Join us for our Night Photography Workshop in Fuerteventura this June, from June 22 to June 28 2025!

This workshop will provide a comprehensive learning experience, covering everything from the fundamentals of night photography to advanced techniques for capturing specific celestial phenomena. We'll delve into camera settings, composition strategies, light painting, and post-processing workflows.

Visit www.starsbynight.es/photographyworkshop to learn more and register.

photo courtesy of Simon Waldram Photography

....MAY 2018 NIGHT SKY.. MAYO 2018 CIELO NOCTURNO....

....From the first hours of the night, the May sky is dominated by 2 brilliant objects: the planet Venus toward the West and the planet Jupiter towards the East. For the lovers of the telescopic observation, the second one, the giant of the Solar System who crosses the constellation of Libra, is more interesting, with his 4 satellites visible as brilliant dots rapidly moving around his equator. If the night is clear, it is not difficult to distinguish also the dark bands of the outer atmosphere of the planet, which hide storms of incredible size, bigger that our Earth. More to the South, the beautiful constellations of Centaurus and Southern Cross are peeping out of the horizon of Fuerteventura: we should not miss the opportunity to admire our neighbor star Alfa Centauri nor the fantastic cluster called Omega Centauri, both visible with naked eyes, but revealing their secrets only through a telescope.

May starts with the Moon just after the full phase, which will be present back by the end of the month. In order to enjoy the observation in her best days, we recommend to wait for the waxing phase, after day 20th in this month.

Clear skies to everybody!  ..

Desde las primeras horas de la noche, el cielo de Mayo está dominado por dos brillantes luceros: el planeta Venus hacia el Oeste y el planeta Júpiter hacia el Este. Para los apasionados de la observación telescópica, es más interesante este segundo objeto, el gigante del Sistema Solar que cruza la constelación de Libra, con sus 4 satélites visibles como puntitos luminosos en rápido movimiento alrededor de su ecuador. Si la noche es clara, no es difícil tampoco distinguir las bandas oscuras de la atmósfera superior del planeta, que esconden tormentas de tamaño colosal, más grandes que nuestra Tierra.  Mirando en el cielo más al Sur, las bonitas constelaciones de la Cruz del Sur y del Centauro se asoman al horizonte de Fuerteventura: no debemos perder la oportunidad de admirar nuestra estrella vecina Alfa Centauri ni el maravilloso cúmulo llamado Omega Centauri, ambos visibles a simple vista, pero cuyos secretos sólo están al alcance de un telescopio.

La Luna empieza Mayo justo después de la fase de plenitud, que vuelve también en la última semana. Para disfrutar mejor de su observación, es recomendable esperar a la fase creciente, que este mes se da pasado el día 20.

¡Cielos despejados para todos!....

....APRIL 2018 NIGHT SKY.. ABRIL 2018 CIELO NOCTURNO....

....In April, Spring is back in plentitude: the daylight saving is now in progress and the days are longer, as well as the sweeter temperatures that invite us to enjoy the night sky. The great constellations of the winter, such as Orion and Taurus, are still high in the night sky, but they set down earlier and earlier towards the West, leaving the protagonism in the South to the big ship Argo, which carried the hero Jason and his crew in the known Greek myth. This huge constellation of ancient origin, now divided into 4 parts, is marked by the brilliant star Canopus, the second brightest of the sky, not visible from continental Europe. 

In the zodiacal zone, together with Leo high in the East, the nice Virgo brings back the myths related to Spring and the goddess Ceres, ancient patron of agriculture. In the following constellation, Libra, we find the king of the planets, Jupiter, who is finally back and fascinates us with his satellites and dark bands that a good telescope is able to reveal.

And, of course, the Moon is faithfully shining in the first days of April in her full phase, which will repeat by the end of the month. But if you love her, we recommend to observe her around the First Quarter, at the beginning of the last week. 

Clear skies to everybody!  ..

En Abril ya estamos de lleno en la primavera: ya ha entrado el horario de verano y los días se alargan, al mismo tiempo que las temperaturas más suaves invitan a disfrutar del cielo nocturno. Las grandes constelaciones de la estación invernal, como Orión o Tauro, siguen altas en el cielo, pero se ponen cada día más pronto en el Oeste, dejando el protagonismo en el Sur al navío Argo, que transportó el héroe Jasón y a sus compañeros en el famoso mito griego. Esta gran constelación de orígenes muy antiguos, ahora dividida en 4 partes, alberga a la brillante estrella Canopo, la segunda más luminosa del cielo, no visible desde la Europa continental.

En la zona zodiacal, con el León ya alto en el Este, la hermosa Virgo nos trae de vuelta los mitos griegos relacionados con la primavera y la diosa Ceres, antigua patrona de la agricultura. 

En la constelación que la sigue, Libra, ya se asoma el rey de los planetas, Júpiter, que nos fascina con sus satélites y sus bandas, que un buen telescopio pone a nuestro alcance.

Y la Luna no falta a su cita mensual, empezando abril con la fase de plenitud, que vuelve también en la última semana. Pero para observarla con más detalles, es recomendable la fase creciente, que este mes corresponde a la última semana.

¡Cielos despejados para todos!....

....SEPTEMBER 2017 NIGHT SKY.. SEPTEMBRE 2017 CIELO NOCTURNO ....

....The last Summer month presents a night sky dominated more and more by the Milky Way, towards the South, between the wonderful constellations of Sagittarius and Scorpius. The most brilliant area, corresponding to the kernel of our galaxy, is located in Sagittarius arm, which seems to come out from the ominous constellation and is possibly the most important of all, extending itself to the North till the constellation of the Eagle. In the zenith, crossing the Swan and Cassiopeia, another brilliant arm, Perseus arm, completes the milky arch crossing the whole summer sky.

In the constellation of Ophiuchus, the Snake master, Saturn is drawing our attention with his yellowish light. His rings are in the best position for the observation from our Earth, a memorable view that only a telescope can reveal to us.

The Moon is in the full phase on day 6th, so the first decade of September is not apt for the observation of Deep Sky objects, but is the best moment to visit her craters, seas and peaks, which, in spite of the big distance, a telescope shows us with plenty of detail: an enchanting view which leaves people of all ages astonished!

Clear skies to everybody!  ..

El último mes del verano nos presenta un cielo nocturno dominado cada vez más por la Vía Láctea hacia el Sur, entre las magníficas constelaciones de Sagitario y Escorpio. Su zona más brillante, correspondiente al núcleo de nuestra galaxia, se encuentra en el brazo de Sagitario, que parece salir de la homónima constelación y es posiblemente el más importante de todos, prologándose hacia el Norte hasta la constelación del Águila. En el cenit, cruzando el Cisne y Cassiopea, otro brazo brillante, el de Perseo, completa el arco lechoso que cruza todo el cielo del verano.

En la constelación del Serpentario, Saturno atrae la atención con su brillo amarillento. Sus anillos están en la mejor posición para su observación desde la Tierra, un espectáculo memorable que sólo un telescopio nos permite apreciar.

La Luna presenta la fase de plenitud el día 6, así que la primera decena del mes no es adecuada para la observación del Cielo Profundo, pero sí a visitar los cráteres, los mares y los picos de nuestro satélite, que a pesar de la distancia, nos revela con un telescopio infinidad de detalles de su superficie, un espectáculo que no deja de asombrar a los observadores de todas las edades.

¡Cielos despejados para todo! ....

....FEBRAURY 2017 NIGHT SKY..FEBRERO 2017 CIELO NOCTURNO....

....The long February nights offer us the opportunity to admire the winter sky in its best moment. The most typical constellations of this epoch of the year, Orion and Gemini, are already high in the sky in the first hours of the night, showing us their precious treasures. A good telescope allows us to go deeper into their secrets, such as the Orion Nebula (M42), a wonderful star nursery located at about 1500 light-years from us, or the rich Gemini cluster, not far from the bright multiple-star system of Castor. On the other side of the sky, it is still possible to admire the Andromeda galaxy, a very big but blurry object due to the incredible distance of more than 2 million light-years from our Earth.

After sunset, the planets Mars and Venus shine bright to the West in the early hours, while Jupiter starts crossing the sky from the East after midnight.

The Moon is the big protagonist of the sky in the first part of February. We should not miss the opportunity to admire her with a number of magnifications: she will reveal her big seas with their islands, her long chains of mountains and her enormous and deep craters. In spite of the distance of some 250.000 miles, the Moon shows us incredible details of her surface through our telescopes.

Clear skies to everybody!   
..

Las largas noches de febrero nos ofrecen la ocasión de admirar el cielo del invierno en todo su esplendor. Las constelaciones más características de esta época, como Orión y Gémini, ya se encuentran muy altas en las primeras horas de la noche, enseñándonos sus preciados tesoros. Un buen telescopio nos permite escudriñar sus secretos, como la Nebulosa de Orión (M42), fantástico criadero de estrellas a unos 1500 años luz de nosotros, o el riquísimo cúmulo de Gémini(M35), no lejos de la brillante estrella múltiple Cástor. También al otro lado del cielo es posible admirar a la galaxia de Andrómeda (M31), que se nos presenta como un objeto magnífico pero débil y borroso, debido a la increíble distancia de más de 2 millones de años luz desde la Tierra.

Después del ocaso, los planetas Marte y Venus siguen resistiéndose a ponerse en el Oeste, mientras que en la parte opuesta del cielo Júpiter se levanta pasada la medianoche.

La Luna es la gran protagonista de la primera parte del cielo de febrero. No debemos perdernos la oportunidad de observarla con unos cuantos aumentos: nos desvelará los  misterios de sus mares y sus islas, sus cordilleras de montañas y sus enormes y profundos cráteres. A pesar de los 400.000 Km que nos separan, la Luna nunca deja de sorprendernos por la cantidad de detalles que podemos apreciar con nuestros telescopios.

¡Cielos despejados para todos!  

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.... NOVEMBER 2016 NIGHT SKY.. El año 2016 DE NOVIEMBRE DE CIELO NOCTURNO....

.... At the beginning of November, the Milky Way is not as bright, but is still offering us a beautiful picture in the first hours of the night, towards the South-East. Planet Mars is easy to recognize after sunset due to its reddish colour, crossing the Zodiac between Sagittarius and Capricorn in the South.

On the other side of the Milky Way, Perseus, Cassiopeia and Andromeda appear higher and higher every night from the North-Eastern horizon, telling us their troubled but happy-ended history. A telescope discovers in this area beautiful and fascinating objects, such as the Andromeda galaxy, the Double Cluster of Perseus, ET the extraterrestrial or the binary star Almach.

The Moon will not miss her date with her admirers, being the best days to watch her from the 5th to the 12th, just before its Full phase of the 14th. Don't miss the opportunity to observe her craters and mountains with a good telescope and under the guide of an expert: nobody will remain indifferent when looking at this incredible view.

Clear skies to everybody! 

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En el mes de noviembre, la Vía Láctea pierde protagonismo, aunque nos ofrece todavía un interesante espectáculo a primeras horas de la noche hacia el suroeste. El planeta Marte sigue siendo fácil de reconocer después del ocaso debido a su color rojizo, mientras va cruzando la zona zodiacal entre Sagitario y Capricornio cerca del horizonte Sur. Al lado opuesto de la Vía Láctea, Perseo, Cassiopea y Andrómeda se levantan cada vez más desde el Noreste, contándonos su atormentada historia con final feliz. El telescopio nos descubre en esta zona objetos tan bonitos y fascinantes como la galaxia de Andrómeda, el Cúmulo Doble de Perseo, ET el extraterrestre o la estrella binaria Almach.

Y la Luna tampoco faltará a la cita este mes, siendo los días mejores para admirarlas entre el 5 y el 12, antes del plenilunio del 14. No se pierdan la oportunidad de observarla y descubrir sus cráteres y sus montañas con la ayuda de un experto y de un buen telescopio: nadie se quedará indiferente antes este espectáculo.

¡Cielos despejados para todos!  

  ....

BUYING A TELESCOPE

I wrote this article in 2012 when StarsbyNight was just a passionate project that Karen (founder of SBN) would brainstorm with me on how to make her passion into a reality. We were both uber excited and it was a massive learning curve, even in buying equipment. After the years have passed we know a lot more and technology and equipment and brands  are evolving but the theory and idea behind buying your first telescope still apply. 

I just want to add , just like buying a new camera lens, that the most important characteristic of a telescope is its aperture — the diameter of its light-gathering lens or mirror, often called the objective. Look for the telescope's specifications near its focuser, at the front of the tube, or on the box. The aperture's diameter (D) will be expressed either in millimeters.  Your telescope should have at least 2.8 inches (70 mm) aperture — and preferably more.

The little bit I know about buying a telescope - 21/12/2012

Let me start by saying I am no expert. My experience in the past is selling and using photographic equipment in a professional capacity. I wanted to buy a telescope. After doing a lot of research I found its really similar to buying a camera. My colleagues are in the process of buying a high end telescope for our clients to view the night sky here in Fuerteventura, but I would like one so I can learn at home in the meantime. Sure I can use the fancy one they will buy, but I’m occasional user, I have more of an amateur interest rather than a professional one.

Questions I used to always ask my customers in photography. ‘What is the main purpose for?’ ‘In what conditions?” ‘How often would you use it? ‘Is it for you? ” ‘what previous experience do you/or other person have?”  “What do you really want to do with a it?” ‘how much money do you want to spend?”

I’ve done a lot of research. What I used to find often with cameras is people have too much money, buy the latest thing that has all the bells and whistles and never use it to its full capacity and it sits in the corner of the room gathering dust and just looking pretty. It appears its the same with telescopes. I also asked an ex colleague who worked for a company who specialized in astronomy gear and he said the same. He said. “ If someone wanted to spend under £200 I would probably recommend a good pair of binoculars that last a lifetime. Often what happens is the  kind of telescope people think they want and what they really need are two different things.”

I was told do not even consider a telescope that advertises it power on the box (300x, 500x,650x, 725x).  Avoid telescopes that are advertised by their magnification — especially implausibly high powers like 600×. For most purposes, a telescope's maximum useful magnification is 50 times its aperture in inches (or twice its aperture in millimeters).  Even the best telescopes are limited to about 50x-75x per inch (25.4mm) of aperture. The big number with a ‘x’ after it, I was told  is actually a  marketing ploy and high-powered scopes tend to have fixed eyepieces. What you want is a removable eyepiece. Also even though these type of telescopes appear attractive advertised with a high number, all this means is the high magnification the light is gathered and spread over a larger area making it fuzzy and faint.  You should look for the magnification in the eyepiece. You calculate a telescope's maximum useful magnification by multiplying the size of the lens or mirror in inches by 50.  I was also told that alower power/magnification in the telescope tends to provide a better viewing experience.

Start with binoculars. If you don’t have much money and don’t want to spend over the £200 mark you may be happier with a very good pair of binos. Even for travel its actually quite a good idea to have a back up anyways of about 10x50, 7x50 for a more general use or an 8x56 or a 9x63 for something a bit more ‘astro’ and its less heavier, but can be slightly expensive. Buy something you can use, not something you will get frustrated with . If it rattles when you shake it, try a different pair of binos. Good telescopes will be expensive regardless of the type. Cheap binoculars are much, much more useful than cheap telescopes and  good binoculars can last you forever.

What you can see with a pair of binoculars look at this link: http://www.lightandmatter.com/binosky/binosky.html

binocular basics: http://www.chuckhawks.com/binocular_basics.htm

Should I get a refractor or a reflector telescope?

Now I had to get some help to explain this from another website as I couldn’t think of the any other way to explain it but share someone else’s informationhttp://www.astronomyforbeginners.com/equipment/telescope.php:

Reflector

Reflectors have one open end and a curved mirror at the back. Light is reflected and focused by this mirror onto a secondary mirror, which reflects it up into the eyepiece. Refractors are generally cheaper per inch of aperture and are in general better for the beginner on a budget, but aren't very good for ground observing, as the image is upside-down.

Refractor

A refractor has a lens at the front which refracts light from the stars and focuses it at the eyepiece (often by means of a 45° mirror-in which case the image is reversed left-to-right). The image is the right way up meaning that these are better suited if you want to do ground observing as well. If the optics are good, then refractors can form better images, but are usually more expensive per inch of aperture.

Reflector telescopes have one optical surface (less mirrors) and tend to be cheaper and have no chormatic abberration. The mirror in this type of telescope may need recoating after years of use but if you are a beginner like me and will not use it outside on a rough surface (and tend to use it on your balcony like me) and not have much money then these type are a quick fix to look at the sky.

Refracting telescopes the light bends from one medium to another. A refractor uses two lenses. At one end, is the larger lens is called the objective. On the other end is the lens you look through, called the ocular or eyepiece. Also an advantage of a refractor is that by default they have a totally clear aperture and are low maintenance. A disadvantage is that some telescope lens/glass pieces will give off  chormatic aberrations. The only way I can describe it with my experience is light fringing around a subject like you get where you take a photo with a cheap lens on a sunny day sometimes the object has a faint fuzz around it, also kind of like a lens flare.  Inexpensive refractors have problems with false color, but they are often more compact and therefore better for traveling. Also, refractors tend to give more pleasing views when used in the daylight. Most reflectors tend to be very large by comparison, but will have better light gathering capability.  I was also told that whether buying either telescope look out for2.4 inch (60mm) and 3.1 inch(80mm) refractors and 4.5 inch and 6 inch reflectors are popular for most amateurs. Your new scope should have at least 1 eyepiece, and often 2 or 3. An eyepiece is rated by millimeters (mm), with smaller numbers indicating higher magnification. A 25mm eyepiece is common and appropriate for most beginners.While a higher magnification eyepiece may provide more details, it may be harder to keep an object in view, unless you are using a motorized mount. They also require the scope to gather more light to provide a clearer image.

A lower power eyepiece makes it easier to find objects and keep them in view. Lower magnification eyepieces require less light, so viewing dimmer objects is easier.

Remember the view through a telescope with not be exact to what you see in astrophotography on the internet or magazines. Planets will be tinier and some not in fantastic colours .

I started getting lost looking at all the brands. It seemed for over the £200 mark, the Meade does a introductory good telescope for anything over the £350 you are looking at more advanced Meade, Newtonians, Dobinsonians and Stellarvuemodels.  Lower cost options can include Maksutov-Cassegrains and “long” achromatic refractors.  Schmidt-Cassegrain Telescopes (SCT) can also offer pleasing views of the planets.

I recommend trying before buying. Observe through as many telescopes as you can, and ask as many questions as you can think of. Ask about setup time, maintenance and accessories.

This is a great list of things to help you set up your basic kit: http://www.astronomy.com/Equipment/How-To.aspx

To me it really is buying an extension of my camera equipment. Learning about glass wear, apertures and brands from various websites, magazines and asking professionals has helped me. Hopefully it won't just sit in the corner of my room.

Disclaimer: I am not a professional but someone who is interested. Within our team we have a professional astronomer but I write this article out of pure interest and passion for a subject am learning about.

.... OCTOBER 2016 NIGHT SKY.. El año 2016 DE OCTUBRE DE CIELO NOCTURNO ....

....Entering October, the Milky Way in Sagittarius appears more and more vertical, till it is swallowed by the southern horizon. At the same time, another arm of our galaxy, the Perseus's, shines more and more in the North-East, introducing the most typical constellations of the Autumn, as Cassiopeia, Andromeda and Perseus himself. This area is very rich in Deep-Sky objects, such as Andromeda's galaxy, the Double Cluster or the E.T. cluster; a good telescope will help us in discovering them quite easily.

Among the planets, both Mars and Saturn are setting down early, saying good-by till the next year. On the other hand, the Moon accompanies us during the first part of the month. The view she offers through a telescope is by far the most amazing we can see of a celestial body: in spite of the 400.000 Km of distance which separate us, her craters and mountains, her seas and their accidents emerge and offer us an unforgettable view.

Clear skies to everybody!  

..

Con la llegada de octubre, la Vía Láctea de Sagitario va poniéndose cada vez más vertical, hasta hundirse poco a poco tragada por el horizonte sur. En cambio, otro brazo de nuestra galaxia, él de Perseo, va adquiriendo cada vez más protagonismo, arrastrando las constelaciones más típicas de otoño, como Cassiopea, Pégaso y el mismo Perseo. Esta zona es muy rica en objetos de Cielo Profundo, como la galaxia de Andrómeda, el Cúmulo Doble o el cúmulo de ET, que un buen telescopio nos puede descubrir con facilidad.

Entre los planetas, tanto Marte como Saturno desaparecen cada día más pronto en el horizonte oeste, saludándonos ya hasta el año que viene. En cambio, la Luna nos acompaña durante la primera parte del mes. El espectáculo que nos ofrece por medio de un buen telescopio es el más detallado que podemos admirar en otro cuerpo celeste: a pesar de los 400.000 kilómetros de distancia que nos separan, los cráteres y las montañas, los mares y los accidentes de su superficie sobresalen delante de nuestros ojos y no dejan indiferente a ningún observador.

¡Cielos despejados para todos!

....